OLDER VITRO MARBLES (TRI-LITES)
By Chuck Brandstetter
Photo #1
Tri-lites and Elites
Older Vitro Agate marbles have been receiving al lot of
attention lately. Generally, most
people are fairly accurate in identifying them.
The definition/explanation that makes the most sense to me is that
Tri-lite is the name Vitro used for marbles made prior to 1945 in Vienna, WV
that have three or more distinct colors (white is a color, clear is not a
color). As opposed to the Vitro
marbles made later in
Some of my marble collecting friends and I have spent a lot of time trying to pin down a perfect definition for Tri-lites. So I asked Chris Cooper, who along with Mike Johnson, wrote the book, “The Vitro-Agate Company” what Henry Fisher meant by the name Tri-lite. Chris pointed out the Fisher would have laughed his head off at us for trying to name these marbles. All he was trying to do was make an attractive and inexpensive toy for children. For him, a Tri-lite was a marbles with three colors.
In the first WVMCC Newsletter (July, 2003) Chris Carrington in her article Those Really Pretty Older Vitros That Used to be Called “Mystery Patches”, came up with the name Elite for these attractive marbles. Since this was before the Vitro book identified them as Tri-lites, the name Elite caught on with many of those using the marble boards, eBay and at the marble shows. Tri-lites vary considerably from rather mundane (with a scant three colors and white being one of those colors) to spectacular with three, four or more colors. Therefore, Elite is just a modern name for what Vitro called Tri-lites. It does make sense though that when we call a marble an Elite, we should be focusing on the more attractive Tri-lites. (See Photo #1 for some very attractive Tri-lites.)
Buttermilks, Aquamarines & Superiors
Three Tri-lite Sub-groups have names that have caught on in the marble community – Buttermilks, Aquamarines and Superiors.
Photo #2
Buttermilks have a red band on one side, a parallel
red/blue band on the other side and a translucent buttermilk yellow base,
sometimes with white. (See Photo #2)
Buttermilks vary considerably in color and design.
The blue sometimes darkens towards indigo, especially on the shooters.
The smaller buttermilks tend to have ribbons and many of the shooters
swirl significantly. Ten years ago,
Chuck Dennison told us that these very attractive Vitro marbles were called
Buttermilks. It seems that Chuck and
Roy Kays met an old man from
Photo #3
Photo #4
The colors of Aquamarines are aqua (or teal) blue, a creamy
tan and a dark transparent red. (See
Photo #3) Aquamarines range from
swirls with appealing rip lines to patches.
About 12 years ago my wife Diane was pulling these out of $1 boxes
because they were one of her favorite marbles.
One day while searching for marbles in an antique mall in
Superiors are another attractive and fairly common Tri-lite
with a characteristic deep yellow patch surrounded by a very rich red band.
(See Photo #4) The base is
usually translucent white and there is almost always a secondary patch on the
bottom. The secondary patch on the
shooters is either green, blue or red-brown and on the smaller marbles can also
be other colors such as purple, black, yellow and sometimes oxblood.
About 15 years ago some collectors called these marbles hybrid Peltiers.
Then in the 2nd edition (1995) of their book Marbles, Larry
Castle & Marlow Peterson identified them as Vitro Agates and called them
“Mystery Patches”. So, for years we
called them mystery patches. About
two years ago Diane & I were looking at our Vitro collection and we agreed that
these were among our best Vitros. At
the time, we were getting ready for one of our three annual vacations to the
There are many other attractive Tri-lite sub-groups that are not named. That is OK. Many of us love these marbles and we may even have our personal names for them; but, we are also perfectly happy just calling them Tri-lites or Elites.
Maybe the old marble makers would laugh at the names marble collectors use for the inexpensive child’s toy they were making. But, they would probably appreciate that their work has had a lasting appeal through the years.
Thanks to Ron Shepherd, Guy Gregg, Randy Gossett, Mike Adams and the others who have wondered and pondered about Tri-lites. And thanks to Bob Byard for the beautiful photos.
This article first appeared in the West Virginia Marble Collector’s Club Newsletter.
Issue 15 June 2006